So, there’s good news and bad news and more good news, with regards to the short story I submitted last week.

First, the good news: I received a response from the publisher to which I submitted my story.  That’s a pretty impressive response time.  I didn’t expect an answer, one way or the other, for another week at best.

The bad news, though, is one you can probably guess: the story was rejected for publication.  This comes as no surprise.  Although the market to which I had submitted was one that I knew best (having been a long-time reader of that magazine) and thus one which I felt this story was well-suited (not because I read the magazine, but because I feel the story is similar in tone to other stories published in that magazine), I also knew that this top-tier market was one that is notoriously difficult to break into.  They have very high standards, and they receive a lot of submissions.

The other good news is not really so much good news as it is positive spin.  The response was not merely a form rejection.  It’s a short, polite, and professional reply, for which I’m appreciative.  On Jay Lake’s Hierarchy of Editorial Responses, I believe this counts as a “neutral rejection”, which is second-from-the-bottom (a better response, in other words, than a rejection with a negative comment).  But, as I said, it was politely written, and ended with a wish of good luck in finding the story a home, which had an ameliorating effect.

What remains, now, is to take the story, dust it back off, and find someone else to submit it to.  Luckily I have another market picked out.  For this one, though, I expect a much longer wait time for a response, because the market in question is actually a contest (one with a fairly prestigious history), so I wouldn’t expect a reply until the contest close date was over.  In some ways, getting this first rejection may have been the better option, because this story might be particularly well-suited to the needs of this contest.

If the story does not do well at the contest, then it’s back to the drawing board.  Generally, you dust yourself off and move on, but it will take some thinking before I can submit to another market after this contest.  That’s because the story in question is a sliver over 12,000 words long – novela length, by SFWA standards – but there are relatively few markets for fantasy fiction that accept works of that length ( can count those I know of on one hand), and roughly zero paying markets will accept a serialized novela.  So, even though the story is quite good (in my opinion, of course), the chances of it seeing the light of day diminish rapidly with each rejection.

One lesson, of course: write shorter stories.  Easier said than done.  I like the complex interplay of themes (it’s how I roll), and the shorter the story, the less you can do in that regard.  The corollary: maybe I should be a novelist instead.

Oh, wait.